You fiddle with the locks for 8 minutes before you pause and take a breath, exasperated. You wonder if anyone will walk by and question that you should be doing what your doing. It is 10:30 pm and though dark alleys with graffiti walls are familiar to you, there’s always that girl in the horror flick who the audience knows will be offed before she does.

You finally figure out that her key needs to be horizontal and turned at the same time you press enter on the coded key pad. You wonder why the security is so high for a warehouse building. You’d prefer not to look behind you as you close the first door quickly after entering. There’s a long hallway in front of you and you remember her directions not to go down it. If you did, is that the part in the horror film where you’d be offed?

The lights come on as you walk forward and it makes your heart jump. The bag on your back and the one on your arm are screaming at you. Your spirit animal is definitely not a turtle. You think about the boy who’s spirit animal is a snail and wonder if you should have slept with him and if he wanted to. You think about how many other people are in this warehouse of artist’s studios and if any of the are having sex right now. Like the scene in Amelie, your favorite film, obviously.

You walk to the left and up the stairs and through two fire doors until you come to number 13. You’ve already  used the blue and the green key so there is only one left and it has to be it. There is no handle on the door and you don’t feel it moving so you dip your shoulder into it and push hard. The door gives way and you have to catch yourself with the house on your back before being squashed beneath its weight and never making it to Oz.

She had warned you there are only lamps and your phone has died so you fumble in the dark to find a switch. You’re startled by your reflection in the floor to ceiling mirror. Your eyes are so black and your jaw looks square. There’s nothing nice to say right then so you turn away.

There is a desk with a computer, scattered papers, a mug of gone-cold tea and artistic tools from paint brushes to film canisters. There are piles of clothes in seemingly intentionally placed piles around the floor. You remember she conducts film shoots here and wonder if she’d ever like to photograph you. Maybe you and her together.

You throw your bag down as if it was your childhood house and you’ve just come from school, exasperated by a full day of nuns acting as teachers with little patience for elaborate story-telling. There is a full bed on the floor guarded on three sides by giant foam panels. She’s constructed a light blocking cage to sleep inside. You think about her here by herself, her lithe arms piecing her fortress together. She’s drawn an image of two cartoon transvestites on the inside of one wall. Think maybe you love her because she’s as unexplainable as your sister.

You look in the fridge because she told you you could and find something she’s made from who knows how long ago. You dip a spoon into it and feel the addictive rush of doing something your not suppose to when no one is looking. Remember that quote by someone about character then brush it aside. Cold lentils and potatoes and you wonder if she’ll be upset if you eat it all. You wonder if he made it with her, this him that belonged to the voice from the bedroom on the second floor. He had made her tea and soup and stroked her forehead when she was ill that day. You wonder how many times they have slept together in the middle of the afternoon on a school day because they are unattached to conformity and regular schedules. You picture him tall and dark to match her lightness. You keep eating her cold stew.

There are spices in old jam jars labeled with scribbles on scotch tape next to small bags of organic beans. You notice there are more chopsticks than utensils and wonder if she enjoys eating with them or if it is a way to keep thin.

You get naked and stare at the canal and smile when you think of someone sleeping in the tug boat below looking up to see you there in the window, backlit by her lamps. You think about living there by yourself, imagining making coffee in the morning, enough space to do yoga by yourself and later give a class to your friends. You would put a desk by these big back windows that face the sun so that you could write there. Maybe. You put on your music and dance around naked until you shiver from the cold despite starting to sweat.

You look at the time, it is almost midnight. Maybe you should go out and explore. Maybe you should put clothes on first. Maybe you’ll meet that bearded guy drinking British ale in the cafe who is as aimless as you. You can pass the time by talking about anything other than the temporal and keep drinking until you feel a bit dizzy and wonder if you’ll find your way home. Maybe he’ll invite you for scrambled eggs and smoked salmon on toast. You’ll eat it on the floor of his studio at 2 am and tell stories about how your parents met and whether or not you believe in things like marriage and universal healthcare. Maybe he’ll tell you he has money saved and wants to travel. Then he’ll unfold a large map he keeps by his bed. He’ll tell you to close your eyes and pick.You let your finger land (restricting it to Europe to be pragmatic) and when you you giggle he opens his laptop to buy two tickets. You’ll go together to the tip of your index finger. Maybe that’s when he’ll kiss you and his beard will tickle your chin. For a moment, maybe, a montage of bearded men you’ve kissed will run through your mind. You’ll kiss him harder to forget all that and the taste of scrambled eggs will make you happy in for a reason you know too well. Maybe this will be the start of it all and it’s so close, now.

You decide not to go out mainly because you don’t feel sexy enough after all of the legumes. You put on a t-shirt and underwear as to not be rude and sleep naked in her bed. Also it’s cold, but that is secondary. You wind your way back down the stairs, getting lost in one of the divergent hallways and mentally kick yourself for not putting on pants. You find the bathroom eventually and wonder if this is the part of the movie where you get offed in the fluorescent bathroom. Someone has left a few tissues for toilet paper. Whisper a silent prayer and feel like the universe is on your side after all.

Go to sleep wondering if you’re a failure for not going out or not having an artist’s studio in the up and coming part of London, and make a plan to focus on one thing for a while and see where it takes you. Start to recite a mantra in your head until you fall asleep. When you wake up, this will all be over and there will light flooding into the white studio through the back windows. It will take you a bit longer to see it because of the wall she has put up there to darken the room and obstruct the light. When you wake up, the first thing you’ll think of is her, and you’ll wonder whether she would put pants on to make herself tea.